by John Eberhard
Last week in part 1, I covered the importance of a color scheme and how you can use the color wheel in selecting colors that will go well together.
After I sent out that article I got an email from friend and associate Jane Millan, owner of Precision Design in San Francisco. She said:
“I might suggest in your next email mentioning the Split-complementary Color Scheme rather than the complementary color scheme (opposites on the wheel) which you mentioned in this email. The Complementary color scheme does have a strong visual contrast, but because they are opposites (thus reflecting the opposite light-wave band) there is a lot of tension in a color scheme like that (hard on the eye if used predominantly). “The split-complementary color scheme is a variation of the complementary color scheme. In addition to the base color, it uses the two colors adjacent to its complement, rather than its complement. “This color scheme has the same strong visual contrast as the complementary color scheme, but has less tension. It’s also hard for beginners to mess up. “Also, I might mention warm vs. cool colors. A great rule of thumb (and one that isn’t generally known or used, but I use it) is that if you use a predominantly warm palette (lots of oranges, yellows, reds) that you use 20% cool (blues, blue-greens). And vice versa. This gives a very dynamic feel to a palette. There are of course bluey-oranges and reddish-blues, etc. so this can be played with a lot, but the 80-20 rule is a great rule of thumb.”
Thanks Jane for that insight.
Here are some excerpts from “Color Harmony” by Hieaki Chijiiwa on the effects achieved by the use of various colors:
“Red: Red is passionate, the color of hearts and flames: it attracts our attention, and actually speeds up the body’s metabolism. Red is popular among the young, and pink in particular is associated with romance. Deep red, on the other hand, looks aristocratic.
“Yellow: Yellow is lively and happy, the color of sunshine and daffodils. Because it is to relentlessly cheerful, we tend to tire of it quickly; an apartment painted in bright yellow would be oppressive, but pale yellow would make it breezy and springlike.
“Green: Green is tranquil and pastoral, the color of trees and grass. Bright green reminds us of spring and fertility, but it’s also the color of mildew, poison, and jealousy. Dark green is an eloquent color, and brings to mind the deep quiet of a pine forest.
“Blue: Blue is the color of the sky and the sea. Like green, it has a calming effect, but it’s also quite powerful – the strongest of the familiar colors after red. Light blue looks young and sporty, but royal or navy blue has a dignified, wealthy air.
“Purple: Purple is a sophisticated color, long associated with royalty. We don’t often see it in nature, so we think of it as an ‘artificial’ color, and find it a bit hard to take. The lighter shades of purple have dominated women’s fashions in recent years.
“Brown: Brown is rich and fertile, like soil, and it’s also sad and wistful, like the leaves in autumn or an October moon. Light brown, tan, and beige give fabrics and housewares a rustic, natural look, while dark brown suggests opulent hardwoods and leather.
“White: White is the color of purity, virginity, innocence and peace, but it’s also associated with hospitals, sterility, and winter. The dichotomy is also seen in white household objects: they either look expensive (like bone china) or disposable (like paper plates).
“Black: Black is the color of night and death, and is often linked with evil (‘black magic’). Its unorthodox appearance has made it popular with artists, but it’s also associated with wealth and elegance (black household items tend to look expensive).
“Warm Colors: The hues from red to yellow, including orange, pink, brown and burgundy, are called warm colors. In fact, the wavelength of red light is very close to that of infrared radiation, which transmits heat. Warm colors are bright, splashy, and aggressive, like the molten lava flowing from this crater. More than any other colors, they attract the eye and excite our emotions.
“Cool Colors: The hues from green to violet, including blue and all the shades of gray, are known as cool colors – perhaps because they remind us of snow and ice, as in this photograph of a summer cruise to Alaska. Cool colors have exactly the opposite effect as warm colors: they slow down the body’s metabolism, and are even used in hospitals to calm manic patients.
“Light Colors: Light shades of any color look soft and ethereal, like cotton candy or fleecy clouds floating in the summer sky. The hue is relatively unimportant: even shades of orange and purple have a gossamer, fairy-tale quality.
“Dark Colors: Black and other dark shades feel heavy, like rain clouds dense with moisture. Black, in particular, seems as strong and as solid as the cast-iron boiler of this old-fashioned locomotive. Dark red, dark purple, dark green and dark blue are the colors most often associated with royalty.
“Vivid Colors: All vivid colors have powerful personalities. Red stands out (looking at all the red in this photograph is like listening to headphones at full volume), but blue and yellow are also vivid, and paradoxically, so are black and white. However, when you combine two or more vivid colors, the result is cacophony – too many voices shouting at once.”
I strongly recommend the “Color Harmony” book.
Good luck with your color scheme selection.